Photo Credit: Jim McDermott
Character
anger can tell you a great deal about her relationship with her world –
particularly the traditions and values of the group she is presently
immersed in. When anger is used to deepen world development, it is
important to remember that your character probably won't feel that there
is threat/ injustice, etc, unless she has first been exposed to ideas
that run contrary to the traditions and values of the group to which she
is reacting.
Tradition.
Anger at tradition may occur because your character feels her growth is
stifled. This is especially common with young characters. When a
character rebels against tradition (deepening character), that act
either implies or highlights the tradition that is being rebelled
against (deepening the world) and also shows how others react to the act
of rebellion (deepening relationships).
Values. Anger
at society values may occur because your character feels the values are
unfair. This is especially common when your character is part of some
sort of minority (character development). As with tradition, anger at
social values can be used to deepen character, world, and relationships.
In addition, the your character will often choose to counter the
rejected values with a different set of values! This new set of values
may
Peer pressure. Any
time your character tries to deviate from social norms, there will be
pressure to change back. Anger can prompt your character to say “no” to
others' beliefs and “yes” to her own truth. Group pressure, of course,
can take the form of family or any other group that is considered “like”
the character. The crucial elements are 1) that the character feels a
part of the group that is trying to affect her behavior and 2) that the
character struggles to separate herself from the group (sometimes while
staying a part of the group).
Belonging/ Independence.
People are strange characters. We feel threatened by too much of
“together” and by too much “alone”. Your character just might become
angry when she feels excluded from or claimed by a group. Personal space
is violated in some way.
Gender roles. These are firmly
entrenched into society. Entrenched gender roles can be especially
aggravating for your character when she feels like her personal growth
is stifled by the expectations, like her rights are being violated, or
like her needs are unable to be met.
Relationship roles.
In the context of world building, I am referring not to individual
relationships but “elder generation and younger generation”, “powerful
position and powerless position”, “older sister and younger brother”,
“married woman and unmarried woman”. Social roles and status and how
they interact. Relationship roles might become an anger issue for your
character when she feels she must interact with someone based on her
relationship role with him even though he has not fulfilled the
responsibilities of his role. For instance, filial respect for an
abusive father who does not provide for his family. In this example, we
develop the world, the backstory, the relationship, and possibly the
backstory wound.
Anger
at entrenched traditions and values does not necessarily mean that your
story will become Character Versus Society. But I hope that you can see
how scenes that contain this element can deepen reader (and character)
understanding of the world where she lives. Knowing the traditions and
values of your main character's Ordinary World of the Beginning can help
you make the world of the Middle more strange to your character. It can
add a subplot. It can let you further develop your antagonist – even
provide the primary motive! And it can make both your character and your
reader question her assumptions.
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