Blog Archive

Showing posts with label subplots. Show all posts
Showing posts with label subplots. Show all posts

Sunday, November 17, 2013

Strategies to Reach 50k: Linear/ Nonlinear Approaches

peacock feather beads strung
 (Photo credit: SelenaAnne)
      Basically, you can write a story in two ways: you can write front to back (linear) or you can skip around (nonlinear). Both approaches have their advantages and disadvantages.
       The linear approach is probably what first comes to mind for a writing strategy since you read a book in a linear fashion. It may be necessary to write your scenes in order if you are going without an outline. This approach can be a wonderful way to let your story initially unfold.
      Unfortunately, I think linear writers are more prone to get stuck when they do not know what happens next. Another drawback of linear writing is that when the story takes a life of it own, the new characters or events or back story do not have a foundation. It is important to remember that linear drafts are not set in granite.
      Nonlinear writers, when faced with the dilemma of not knowing what comes next, are free to write a different scene, earlier or later in the sequence of events. Nonlinear writers also have an easier time rearranging scenes since they are less susceptible to the belief that their scenes are set in stone.
      On the other hand, scenes written out of sequence are more likely to be out of harmony with one another since the writer's perception may have changed drastically between Scene 1 and Scene 2. And massive tweaks are still needed. Some writers might find it even more difficult to go back and lay the foundation for future developments because maybe not all the foundation scenes are written yet.
      You just need to find what works for you.

Friday, November 15, 2013

Panster Help: When Your Story Stalls

English: An airspeed indicator of an aeroplane.
  (Photo credit: Wikipedia)
If you are doing NaNoWriMo, then about now things start to slide. The story stalls as you something doesn't pan out, you hit a dead end, or a character doesn't work out. These problems may be especially prevalent among pansters – people who write “by the seat of their pants” instead of by an outline. Here are a few tricks to get your story moving again...
 
Introduce a good guy. This could be a new ally to be won over, a romantic interest, or a relative who comes to live with your main character (to name a few). All of these people – while “good guys” – can complicate the life of your main character. Maybe the person is reluctant, secretive, and/or comes with his or her own agenda.
 
Add a bad guy. This could be a false ally, a rival (romantic or otherwise), or a new all-out antagonist (just to name a few). All these people have goals that directly oppose those of the main character. Maybe they want the character to fail, or they are in competition for the goal, or they mean well but act at cross-purposes to the main character.
 
Introduce a subplot. A subplot is a mini-story or event arc that somehow ties into the main story and/or the theme. Subplots begin in the main body of the book and conclude any time from that point to just before (or very rarely just after) the final battle. Subplot ideas can include a romantic subplot between secondary (or primary) characters, the mending of a damaged relationship, or a personal growth arc.
 
Add a phase in the struggle. This is sometimes known as a “story arc”. In trying to reach the story goal, your main character may try different angles, travel different places, meet different people. Whatever way your story progresses, add another step, another obstacle, another dead end or lesson learned.

Monday, April 22, 2013

Busy, Busy!

Monday is the busy day at the clinic
Monday is the busy day at the clinic (Photo credit: Graela)
Wow, there’s been so much writing lately. This month I’ve been starting an hour earlier in the morning (around 6:30) and then writing until 7 or 8 when I am home in the evenings. Two days left in the month, still not done tweaking my book. At least the workshop is over. Or maybe I’m disappointed because every day gave me ideas for making my book better.
Realized in my first attempt at a romantic subplot there was NO sexual tension. They were just very good friends. Not even a kiss. Thanks to that workshop I’ve been drastically revising my subplot. I’d hoped for a day off before the writing challenge starts but that just isn’t going to happen…

Sunday, March 31, 2013

Bringing Subplots Back to Life

English: The Thinker
English: The Thinker (Photo credit: Wikipedia)
Even though I have spent my whole month doing just that, I’m having trouble articulating the steps I used. I’m going to pull up Scrivener, look at my notes, and try to reverse the process by listing 5 of the strategies that I used.
  • Plan, plan, plan (if you’re a plotster) the subplot’s progress so it never reaches a point of stasis. Create set-backs in the long-term goal that lead the character inevitably towards Points of No Return.
  • Try changing the POV (and thus who has the greatest stakes) in an already written scene to that of your subplot character. (This can also help tie the subplot back into the main plot.)
  • Introduce an inner conflict that starts off static – until the central conflict knocks it (the inner balance) off kilter. He didn’t like it but accepted it until…
  • Show character’s unmet needs. At least one of these probably motivates his/her main goal, even if he/she isn’t aware of it. Have the character take risks to achieve these needs. Consider having the motivations change in response to changes in self-awareness. I’m protecting her for her own good —> I need to be needed but am driving her away. —> I have to change/ make her understand/ make her more dependent on me.
  • When writing, don’t take the easy road. Brainstorm and choose a less obvious reaction. Person A: “I hate you.” Person B: “Took you long enough.”
This list quickly got long (20 or so) so I’ll save some for later.